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CityGuide - 5 photo booths to capture that perfect kiss

Best bets in ATL for a timeless lip-lock

Acg Criminal Records Mag
Photo credit: Eric Cash

For those of us who prefer a little private PDA to open-air make-out-session selfies, there are still a few places left in Atlanta to capture that secret kiss forever. A photo booth makes every lip-lock look timeless and gives you the opportunity to throw in a silly face or two for good measure. If finding that record you’ve been looking for, dancing the night away, catching the game, or indulging in brunch are your aphrodisiacs then these five ATL hot spots offer the perfect hideaway to sneak off and capture your sweet smooches with a classic memento to take home.

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Business

Located on the ever-expanding Westside, Ormsby's is a favorite of locals looking for an extensive craft beer list and a unique gastropub menu. There's also a downstairs game room with bocce ball, shuffleboard, billiards and more. | more...
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The Star Bar, as it's known, hosts a regular lineup of rockabilly and hard-rockin' acts, as well as the city's best free stand-up on Mondays and, tucked away in an unassuming corner, a hidden shrine to the King of Kings, Elvis Presley, complete with an altar and throne. The Little Five Points instit... | more...
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This popular Westside cafe serves breakfast, lunch, and dinner. This place can get packed out, so expect a wait on weekends. | more...

 



More By This Writer

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Tuesday January 28, 2020 06:54 pm EST
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Bavarian politician Gabriele Pauli is infamous for campaigning that “marriages expire after seven years." If it’s meant to be, one should re-propose.  Hello Ocho, feeling the seven year itch, is following suit and dissolving their musical relationship with the caveat that maybe, someday, they’ll say “I do” once again.

Built on friendship and trust, Hello Ocho started with Clinton Callahan (bass) and Chris Yonker (lead vocals, guitar) stitching together songs out of loops, scattered ideas and computerized chaos. John Gregg (drums) and Chris Childs (percussion) came on board and provided whirlwind beats and scatter shot sounds. The final addition of Christian Shepherd (vocals and keyboard) delivered new lyrical nuances and powerful vocal harmonies.

“It was kind of understood that you would come and dance at the shows,” Yonker says.

“Stickin’ to the Sheets” launched a thousand crowd surfers and will forever remind Nashville fan Tara Nicole of driving and “singing along to a song with my best friend on a warm day with the windows down."

The percussive madness and echoey verses of “Chili Cheese Connie” whipped audiences around a room. And “Party On A Raincloud," with it’s  accompanying NSFW cave dream video, became an anthem for sultry slow dances.

“Hello Ocho is a true Atlanta gem,” says Suzanne Baker. "Their songs and stage presence always bring the weird and the fun. And they are just the cutest!”

On their second and final record, In Portuguese, they moved to expand their musical palette by relying on that mix of weird and fun while still embracing, in the words of superfan Veruca Salt, “Their sexy marriage of silky funk and weird chaos.”

Mammal Gallery co-founder Brian Egan loves that they, “Always make it feel like a group effort . . . We are all somehow part of making it happen, and you can feel that energy when you see them play live.” 

For longtime fan Leanna Usher, “Watching Hello Ocho mature musically and personally over the years has been a great ride.”

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Salt also described each show like returning “to your favorite book and even though you've read it ten times before, you discover something new.” Atlanta’s music scene may be starting a new chapter, but it’s story will feel the effects of Hello Ocho for a long time.



 With Fantasy Guys, Facemajik. $10. 9 p.m. Fri., Jan. 27. Mammal Gallery. 91 Broad St. W.W. www.mammalgallery.com."
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Bavarian politician Gabriele Pauli is infamous for campaigning that “marriages expire after seven years." If it’s meant to be, one should re-propose.  [https://helloocho.bandcamp.com/|Hello Ocho], feeling the seven year itch, is following suit and dissolving their musical relationship with the caveat that maybe, someday, they’ll say “I do” once again.

Built on friendship and trust, Hello Ocho started with Clinton Callahan (bass) and Chris Yonker (lead vocals, guitar) stitching together songs out of loops, scattered ideas and computerized chaos. John Gregg (drums) and Chris Childs (percussion) came on board and provided whirlwind beats and scatter shot sounds. The final addition of Christian Shepherd (vocals and keyboard) delivered new lyrical nuances and powerful vocal harmonies.

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“Stickin’ to the Sheets” launched a thousand crowd surfers and will forever remind Nashville fan Tara Nicole of driving and “singing along to a song with my best friend on a warm day with the windows down."

The percussive madness and echoey verses of “Chili Cheese Connie” whipped audiences around a room. And “Party On A Raincloud," with it’s  accompanying NSFW cave dream video, became an anthem for sultry slow dances.

“Hello Ocho is a true Atlanta gem,” says Suzanne Baker. "Their songs and stage presence always bring the weird and the fun. And they are just the cutest!”

On their second and final record, ''In Portuguese'', they moved to expand their musical palette by relying on that mix of weird and fun while still embracing, in the words of superfan Veruca Salt, “Their sexy marriage of silky funk and weird chaos.”

Mammal Gallery co-founder Brian Egan loves that they, “Always make it feel like a group effort . . . We are all somehow part of making it happen, and you can feel that energy when you see them play live.” 

For longtime fan Leanna Usher, “Watching Hello Ocho mature musically and personally over the years has been a great ride.”

Expect Mammal Gallery to be packed full of fans new and old, who’ve been sweating it out since the very first Ocho show seven years ago in East Atlanta Village ambassador Greg Meah’s basement. 

Salt also described each show like returning “to your favorite book and even though you've read it ten times before, you discover something new.” Atlanta’s music scene may be starting a new chapter, but it’s story will feel the effects of Hello Ocho for a long time.

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Bavarian politician Gabriele Pauli is infamous for campaigning that “marriages expire after seven years." If it’s meant to be, one should re-propose.  Hello Ocho, feeling the seven year itch, is following suit and dissolving their musical relationship with the caveat that maybe, someday, they’ll say “I do” once again.

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The percussive madness and echoey verses of “Chili Cheese Connie” whipped audiences around a room. And “Party On A Raincloud," with it’s  accompanying NSFW cave dream video, became an anthem for sultry slow dances.

“Hello Ocho is a true Atlanta gem,” says Suzanne Baker. "Their songs and stage presence always bring the weird and the fun. And they are just the cutest!”

On their second and final record, In Portuguese, they moved to expand their musical palette by relying on that mix of weird and fun while still embracing, in the words of superfan Veruca Salt, “Their sexy marriage of silky funk and weird chaos.”

Mammal Gallery co-founder Brian Egan loves that they, “Always make it feel like a group effort . . . We are all somehow part of making it happen, and you can feel that energy when you see them play live.” 

For longtime fan Leanna Usher, “Watching Hello Ocho mature musically and personally over the years has been a great ride.”

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Salt also described each show like returning “to your favorite book and even though you've read it ten times before, you discover something new.” Atlanta’s music scene may be starting a new chapter, but it’s story will feel the effects of Hello Ocho for a long time.



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Wednesday January 25, 2017 07:54 pm EST
After seven years, Atlanta's premier psych rock outfit calls it quits | more...
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Austra, the recording project and live band fronted by Katie Stelmanis, who may be a robot from the future, commands swirling synthwave and vocals beamed in from outer space and converted into dance floor anthems. Her latest album, Future Politics (Domino), is a call to arms that rages against complacency in the face of the apocalypse. The band’s mechanical precision imbues each song with feelings of floating propelled by natural kinetic energy. On “Utopia,” Stelmanis’ voice slices and dices over disco-laden beats as she sings, “There's nothing I wouldn't do, there's nothing I wouldn't do.” 

With the Range, DOT.S. $17-$20. 7:30 p.m. Wed., Feb. 1. Terminal West, 887 West Marietta St. N.W., STE C. 404-876-5566. www.terminalwestatl.com."
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[http://www.austramusic.com/|Austra], the recording project and live band fronted by Katie Stelmanis, who may be a robot from the future, commands swirling synthwave and vocals beamed in from outer space and converted into dance floor anthems. Her latest album, ''Future Politics'' (Domino), is a call to arms that rages against complacency in the face of the apocalypse. The band’s mechanical precision imbues each song with feelings of floating propelled by natural kinetic energy. On “Utopia,” Stelmanis’ voice slices and dices over disco-laden beats as she sings, “There's nothing I wouldn't do, there's nothing I wouldn't do.” 

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Article

Tuesday January 24, 2017 11:07 pm EST
Katie Stelmanis may or may not be a robot from the future | more...
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Lonnie Holley's mind is a tuning fork resonating with the energies of the universe, and channeled into his live, improvised performances. For this show, Holley, Atlanta’s quintessential outsider, creates the soundtrack to his solo exhibition of sculptures and drawings. His visual art, organ-based songs, and freak outs/gentle musings on stage illustrate his incredible ability to communicate unconventional wisdom about the otherworldly beauty found in everyday life. RSVPs aren’t required, but an email to groceryonhome at gmail.com saves a seat for you. 

With Ben Sollee. $20 donation. 7:30 p.m. Tue., Jan. 31. Atlanta Contemporary Arts Center, 535 Means St. N.W. 404-688-1970. www.atlantacontemporary.org."
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[https://www.facebook.com/LonnieHolley/|Lonnie Holley]'s mind is a tuning fork resonating with the energies of the universe, and channeled into his live, improvised performances. For this show, Holley, Atlanta’s quintessential outsider, creates the soundtrack to his solo exhibition of sculptures and drawings. His visual art, organ-based songs, and freak outs/gentle musings on stage illustrate his incredible ability to communicate unconventional wisdom about the otherworldly beauty found in everyday life. RSVPs aren’t required, but an email to groceryonhome@gmail.com saves a seat for you. 

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  string(1293) "    Atlanta's quintessential outsider creates the soundtrack to a solo exhibition of sculptures and drawings   2017-01-25T03:51:00+00:00 Lonnie Holley plays Atlanta Contemporary Arts Center   Billy Mitchell  2017-01-25T03:51:00+00:00  %{data-embed-type=%22image%22 data-embed-id=%225887d96739ab46ba222f19b2%22 data-embed-element=%22span%22 data-embed-size=%22640w%22 contenteditable=%22false%22}%

Lonnie Holley's mind is a tuning fork resonating with the energies of the universe, and channeled into his live, improvised performances. For this show, Holley, Atlanta’s quintessential outsider, creates the soundtrack to his solo exhibition of sculptures and drawings. His visual art, organ-based songs, and freak outs/gentle musings on stage illustrate his incredible ability to communicate unconventional wisdom about the otherworldly beauty found in everyday life. RSVPs aren’t required, but an email to groceryonhome at gmail.com saves a seat for you. 

With Ben Sollee. $20 donation. 7:30 p.m. Tue., Jan. 31. Atlanta Contemporary Arts Center, 535 Means St. N.W. 404-688-1970. www.atlantacontemporary.org.             20850021         http://dev.creativeloafing.com/image/2017/01/SeeDo_Music2_1_40.5887d9630ae7a.png                  Lonnie Holley plays Atlanta Contemporary Arts Center "
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Article

Tuesday January 24, 2017 10:51 pm EST
Atlanta's quintessential outsider creates the soundtrack to a solo exhibition of sculptures and drawings | more...
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Article

Tuesday January 17, 2017 11:42 pm EST
Khari Cabral Simmons, Ruby Velle, and more pay homage to a neo-soul classic | more...
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