Cut Worms, John Andrews and The Yawnss

From the venue:

Nobody Lives Here Anymore. The shopping malls have closed down, the dressing rooms are filled with ghosts, and the carousel is covered in cobwebs. Nobody Lives Here Anymore, the latest and greatest from Max Clarke as Cut Worms, is the haunted reverie of an American landscape in - and - out of Clarke’s mind. Recorded between May and November 2019 in Memphis, Tennessee, the album is a snow globe of the mid - twentieth - century’s popular music filled with chiming guitars, honkey tonk pianos, and Telstar organs. A constant creator - be it his Cut Worms alter - ego or his day - job illustration work (designing brand logos and beer labels with madhouse technicolor pictures) - writing and making records has always been Max’s driving force. So after an extensive eighteen - months of touring in support o f 2017’s Alien Sunset and 2018’s Hollow Ground, he set about sifting through the fragment pieces and sketches of tunes he’d accumulated, along with a jet - stream of new compositions, mining his life - long devotion to the lost American songbook for inspiratio n. By the time he flew to Memphis to work with producer Matt Ross - Spang at Sam Phillips Studio, he’d stockpiled more than thirty new songs