Claire Fundraiser, plus thoughts on the past, the future and the end of film

Don't miss this special 10-year celebration of the silent film CLAIRE with director Milford Thomas and much of the cast and crew in attendance, accompanied by a live score, it could be the last "FILM" you ever see.

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  • Buster Keaton
  • Camera, man



Much has been written about the "death of film" as a medium.

I'm specifically talking about the tactile medium of film. Celluloid itself. The thin, sprocket-lined membrane that flutters through the mechanism of a camera, and onto which negative images of the world are filtered, inverted, distorted and ultimately captured.

Through the miraculous alchemy of post-production, these images are processed, cut, constructed, corrected, and finally output to a positive print which is broken into reels, shipped to a theatre, built into a composite print, and run through a machine, with each frame pulled by a claw before the shutter of the projector, behind which a blazing bulb illuminates the image, casting its shadows onto a shimmering screen. The final product actually comes alive in the mind's eye of the live audience, thanks to an optical illusion which tricks the brain into seeing a series of 24 disjointed single frames per second (a really fast slideshow really) into continuous uninterrupted motion.

This is the experience of watching a FILM, which is to say a movie that was both shot and projected on film.

And it is dying.

Roger Ebert, most recently wrote a piece about the "The sudden death of film", in which he acquiesced: "I imagine there will always be 35mm projectors at film festivals and various shrines of cinema. Most of the movies ever made have probably not yet been digitized, and in many cases there may be no money for that. But my war is over, my side lost, and it's important to consider this in the real world."

Add to this the fact that most major camera manufacturers (ARRI, Panavision and Aaton) have stopped producing FILM cameras in order to shift their focus to digital, and it is evident that the FILM era's iris is closing fast.

In a widely quoted article for Creative Cow entitled "Film Fading to Black", Debra Kaufman writes, "That's right: someone, somewhere in the world is now holding the last film camera ever to roll off the line."

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In light of all of this, tonight's (Thursday November 3) special event at the High Museum of Art's Rich Auditorium becomes that much more special.