Samara Joy: A Joyful Holiday
From the venue:
Samara Joy, one of jazzâ€™s newest stars, celebrates the holidays at Atlanta Symphony Hall with her unique and award-wining interpretations of holiday classics.
With her GRAMMY-Award winning and chart-topping album, Linger Awhile, 23-year-old Samara Joy makes her case to join the likes of Sarah, Ella, and Billie as the next mononymous jazz singing sensation recorded by the venerable Verve Records. Her voice, rich and velvety yet precociously refined, has already earned her fans like Anita Baker and Regina King and appearances on the TODAY Show, The Tonight Show w/Jimmy Fallon, The Late Show w/Stephen Colbert, CBS Mornings, Kelly Clarkson, Jennifer Hudson, and more, in addition to millions of likes on TikTok â€” cementing her status as perhaps the first Gen Z jazz singing star. The New York Times praised the â€œsilky-voiced rising starâ€ for â€œhelping jazz take a youthful turnâ€ while NPR All Things Considered named her a â€œclassic jazz singer from a new generation.â€ In February 2023, Samara Joy took home two GRAMMYs - Best Jazz Vocal Album and the auspicious Best New Artist award.
Samara is still relatively new to jazz. Growing up in the Bronx, it was music of the past â€” the music of her parentâ€™s childhoods, as she put it â€” that she listened to most. She treasures her musical lineage, which stretches back to her grandparents Elder Goldwire and Ruth McLendon, both of whom performed with Philadelphia gospel group the Savettes, and runs through her father, who is a singer, songwriter and producer who toured with gospel artist AndraÃ© Crouch. â€œSometimes I catch myself when Iâ€™m singing â€” I’m like, â€˜Whoa, that was a dad momentâ€™,â€ Samara quips. Eventually, she did follow in the family tradition, singing in church and then with the jazz band at Fordham High School for the Arts, with whom she won Best Vocalist at JALCâ€™s Essentially Ellington competition. That led to her enrolling in SUNY Purchaseâ€™s jazz studies program, where she fell deeply in love with the music.
Though sheâ€™s young, she relishes the process of digging through the musicâ€™s history. â€œI think maybe people connect with the fact that I’m not faking it, that I already feel embedded in it,â€ Samara says. â€œMaybe I’m able to reach people in person and on social media because it’s real.â€ The gatekeepers of the jazz world tend to agree: in 2019, she won the Sarah Vaughan International Jazz Vocal Competition, and sheâ€™s since performed with legends like Christian McBride and Bill Charlap. Legendary late pianist Barry Harris was a particularly important influence and mentor. â€œYou inspired me as well as many others with this fire for teaching and playing that couldnâ€™t be dimmed by anything or anyone,â€ Samara writes inÂ Linger Awhileâ€™s liner notes, dedicating the project in part to Harrisâ€™ memory.
OnÂ Linger Awhile, which was produced by Matt Pierson and recorded by Chris Allen at Sear Sound in NYC, Samara is accompanied by esteemed veterans: her former professors, guitarist Pasquale Grasso and drummer Kenny Washington, form the core of the band, which also includes bassist David Wong and pianist Ben Paterson. With ease and a preternatural assurance, Samara swings right alongside them through understated yet powerful renditions of this creative collection of standards.
There are burnished, gleaming versions of chestnuts in â€œMisty,â€ â€œLinger Awhileâ€ and â€œSomeone To Watch Over Me,â€ transporting listeners to some romantic, long-lost supper club. Those familiar tunes are listed alongside some more unusual, if equally vintage selections: â€œSweet Pumpkin,â€ a Ronnell Bright tune performed by the likes of Blue Mitchell and Gloria Lynne, and â€œCanâ€™t Get Out Of This Mood,â€ which Samara uncovered on a collection of Sarah Vaughan rarities, add a lilting, upbeat bent to the albumâ€™s selections.
â€œWhen I heard the lyrics, I was like, â€˜OK, this is positive â€” it’s not as much about heartbreak,â€ Samara says of â€œMood.â€ â€œI liked the way I felt after hearing her singing it, and hopefully I can create the same feeling for people when they hear that song.â€
Samara aims for the opposite on a spine-tingling version of â€œGuess Who I Saw Today,â€ originally popularized by Nancy Wilson. This gently grieving rendition showcases the young singerâ€™s exceptional control and range, as well as her refined, distinctive style.
Marrying Samaraâ€™s interest in classic standards as well as crate-digging is her take on the iconic Thelonious Monk tune â€œâ€˜Round Midnightâ€ â€” instead of the traditional lyrics, Samara sings those written by Jon Hendricks, which she had only heard in a vintage TV performance by Carmen McRae. â€œThose lyrics haven’t been recorded that much â€” so even though itâ€™s a song that a lot of people know, this is a different take on it,â€ Samara says. Itâ€™s the only song on the album that includes a horn section, including trumpeter Terell Stafford, trombonist Donavan Austin, and finally tenor saxophonist Kendric McCallister, who is responsible for the arrangement, a transformation of Cootie Williamsâ€™ original.
A concept that will likely be foreign to Samaraâ€™s TikTok following is that of vocalese, a jazz technique showcased acrossÂ Linger Awhile. â€œNostalgia (The Day I Knew)â€ was the product of a jazz transcription class she took with trumpet master Jon Faddis at SUNY Purchase, in which she took down Fats Navarroâ€™s solo from the original 1947 recording and wrote her own lyrics to that melody â€” inspired, she quips, by the teen romance novels she was reading. She went through the same process with â€œIâ€™m Confessinâ€™,â€ combining that songâ€™s original lyrics with her own, set to Lester Youngâ€™s 1952 solo. Especially for a contemporary listener, hearing how seamlessly Samara transforms these instrumental lines into breezy lyrics is astounding.
Also included onÂ Linger AwhileÂ is â€œSocial Call,â€ co-written by vocalese pioneer Hendricks and Gigi Gryce â€” a fitting, beautiful tribute to those who paved the way for Samaraâ€™s exploration of this often-overlooked subgenre.
The release is just one more step for the ascendant, 2x GRAMMY-winning vocalist, who has spent the past several months touring all over the world on increasingly larger stages â€” still shocked to be performing in front of thousands who hang on every word. â€œI’m still very much a student, even though I’ve graduated,â€ Samara says. â€œSo this is only the beginningâ€¦ there is much, much more to come.â€