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Whitespace Fall Exhibitions (Thursdays)

3 Intricately SDeMer Sandbagging
Courtesy Stephanie DeMer and whitespace gallery
Stephanie DeMer 'Intricately'
Thursday December 12, 2024 10:00 AM EST
Cost: Free
Disclaimer: All prices are current as of the posting date and are subject to change.
Please check the venue or ticket sales site for the current pricing.
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CRITIC’S PICK: Stephanie Dowda DeMer, Cayse Cheatham & Neill Prewitt, Whitespace Gallery - Stephanie Dowda DeMer is an Atlanta-based photographer and experimental media artist. Her work excavates invisibility and creates space for reflection through phenomena, communion, and kinship, according to her bio. DeMer’s exhibit is titled ‘Small Suns’ and is described as a metaphysical guide for living and losing.“This work comes from going on road trips,” Cayse Cheatham says about his show ‘Coming from the South East.’ “The world starts to look dreamlike and certain things take on importance almost like characters in a story.” Cayse is an animator and art teacher who has exhibited his paintings and drawings in his hometown of Dallas as well as New York City and now Atlanta. - Kevin C. Madigan

From the venue:

Small Suns | Stephanie Dowda DeMer

Small Suns  

A garden. A lens. A path. Each provides a map to meaning—planted, observed, traversed—and a way of seeing that connects us to what is here and what has transpired. Small Suns is a metaphysical guide for living and losing, a visual perplexing inviting us to seek what is illuminated in gravitational actions and feel the world on various planes.

exhibit page here

Coming from the South East | Cayse Cheatham

Coming From The Southeast  

“This work comes from going on road trips. I pack the car the day before, go to sleep and get up very early in the morning. I drive through the night to my destination. I live in Atlanta and I’m driving through the south. It’s enjoyable, I get to listen to whatever I like, or nothing at all, my mind wanders. On the interstate the landscape goes zipping by but, as I get closer to where I am going the roads tend to get smaller and objects on the side of the road move closer. Maybe because its night time and I’m usually asleep but the world starts to look dreamlike and certain things take on importance almost like characters in a story.

I see the night sky, a column of smoke or steam, a plastic bag, a dilapidated road sign or a strange tree and, I’ll find myself thinking about them long after the drive. I use ride my bike to work, and out of self-preservation I noticed much more detailed information concerning my path. I could tell where cars have gone off the road, or where the homeless person lived and things like that. These things began to enter my work.

I struggle with the idea of making art about mystery, especially narrative art like mine. But like most artist I’m compelled to work so, I push on and hope to produce something that will strike a note in others.”
exhibit page here

Tiny House Investors | Neill Prewitt

NeillPrewitt TinyHouseInvestors Scaled 300x200  

Tiny House Investors is a companion piece to Prewitt’s new rock opera Emotional Real Estate. Both works investigate the personal and political effects of Atlanta having become one of the most overpriced housing markets in the country. Imagining peepspace as the tiniest house in Atlanta, a family moves in.

Neill Prewitt debuts the new rock opera Emotional Real Estate at Whitespace for Atlanta Art Week. Prewitt’s third rock opera, it is the story of a new dad struggling to do the best for his kid in one of the most overpriced housing markets in the country, Atlanta. Priced out of the middle-class lifestyle he was raised in and expects to be able to provide, Dad is tempted to mobilize behind his grievances. Only by becoming conscious of the role of racism in Atlanta’s growth and acknowledging his own relative privilege does he emerge with wisdom he can pass on to his child. Born out of Prewitt recently becoming a father, it is a parable for today’s polarized America. Written and directed by Prewitt, the 20 minute live performance features a trio of musicians Martha Williams, Mark Schoon, and JD Walsh, with Prewitt singing and performing in interaction with projected video.

exhibit page here

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