Mary Gauthier With Special Jaimee Harris
From the venue:
â€œWriting helps me sort out confusion, untangle powerful emotions, and
ward off desperation. It helps me navigate the powerful emotional
weather systems of life.â€
â€“ Mary Gauthier, Saved by a Song: The Art and Healing Power of Songwriting
As she has so eloquently accomplished over the past 25 years, acclaimed singer-songwriter Mary Gauthier has used her art once again to traverse the uncharted waters of the past few years. â€œIâ€™m the kind of songwriter who writes what I see in the world right now,â€ she affirms. Thankfully, amid dark storms of pandemic loss, she found and followed the beacon of new love: Her gift to us, the powerful Dark Enough to See the Stars, collects ten sparkling jewels of Gauthier songcraft reflecting both love and loss.
Her eleventh album, Dark Enough to See the Stars, follows the profound antidote to trauma, Rifles & Rosary Beads, her 2018 collaborative work with wounded Iraq war veterans. It garnered a Grammy nomination for Best Folk Album, as well as a nomination for Album of the Year by the Americana Music Association. Publication of her first book, the illuminating Saved by a Song: The Art and Healing Power of Songwriting, in 2021, brought her more praise. Brandi Carlile has said, â€œMaryâ€™s songwriting speaks to the tender aspects of our humanness. We need her voice in times like these more than we ever have.â€ The Associated Press called Gauthier â€œone of the best songwriters of her generation.â€
Gauthierâ€™s early work, which began at 35, reflected her newfound sobriety, delving into events from a troubled life, which persisted after she became a renowned chef in Boston. Dark Enough to See the Stars returns Gauthier to the scintillating confessional mode on such albums as her breakthrough release, 2005â€™s Mercy Now, as well as such ear worms as the hook-laden â€œDrag Queens in Limousines.â€ In addition to crafting instantly memorable songs, Gauthier has never shied away from difficult self-exploration, as with 2010â€™s The Foundling, on which she explored the repercussions of her adoption from a New Orleans orphanage and subsequent search for her birth mother.
On Dark Enough to See the Stars, she mourns recent devastating losses: the deaths of John Prine, David Olney, Nanci Griffith, and her beloved friend Betsy. But she also sings open-heartedly of love. All ten tracks prove Gauthierâ€™s belief, as stated in Saved by a Song, that â€œsongs can bring us a deep understanding of each other and ourselves and open the heart to love.â€
Deep emotion resonates throughout Dark Enough to See the Stars. â€œIt kicks off with three love songs,â€ says Gauthier. â€œSomewhere along the work Iâ€™ve done in therapy through art and 32 years of recovery, Iâ€™ve somehow stabilized enough to be in a relationship that works â€“ and I want to express that in these songs.â€ The joyous triad â€“ the catchy â€œFall Apart World,â€ the lilting ballad â€œAmsterdam,â€ and gospel-tinged â€œThank God for Youâ€ â€“ each punctuated with Danny Mitchellâ€™s evocative keyboards â€“ comes alive with poetic imagery.
â€œThank God for Youâ€ contrasts her former life â€“ â€œanother junkie jonesing on a Greyhound busâ€ â€“ with the state of grace sheâ€™s found. Lush instrumentation perfectly underpins the anthemic â€œFall Apart World,â€ which Gauthier calls â€œadult music.â€ While on a writing sojourn in Key West, she explains, â€œItâ€™s understanding that things come together and things fall apart. The awareness of that is an opportunity for gratitude. Right now, Iâ€™m looking out the window â€“ and I canâ€™t believe I get to be here! I donâ€™t take it for granted for one millisecond!â€
Gauthierâ€™s partner, Jaimee Harris, who sings harmony throughout the album, co-wrote the paean to one of Gauthierâ€™s favorite cities. â€œI have a long history with Amsterdam,â€ Gauthier recounts. â€œMy first record deal was on a Dutch label, and I tour there regularly, and much of Mercy Now was written at my favorite hotel there.â€ A canceled flight to Denmark landed Gauthier and Harris in Amsterdam for an unexpected three days during the pandemic. â€œTo return to that hotel and be able to share that with the person I love and show her the cityâ€¦,â€ Gauthier pauses. â€œItâ€™s complicated â€“ because all around the edges was the pandemic. But youâ€™ve got to express your joy â€“ a joy thatâ€™s not free from pain. Thereâ€™s grief all around us, but thereâ€™s this ability to still love and still be aware that the sky is beautiful and the hand that Iâ€™m holding is filled with loveâ€¦â€
The albumâ€™s bittersweet title track, â€œDark Enough to See the Stars,â€ cowritten with Beth Nielsen Chapman, resonates with that very same emotion. â€œWhen things get really hard and the walls are closing in and it starts to get dark, you realize what really matters,â€ Gauthier says. â€œAnd what really matters, of course, is love. Even though my friend Betsy is gone, I get to hold on to her love. And I get to hold on to the love that John Prine showed me, and Nanci Griffith and David Olney. It occurred to me while working on the title track that love didnâ€™t die with them. That was a gift that was given to me that I get to keep.â€
As on the memory-rich track, â€œThe Meadow,â€ Fats Kaplinâ€™s haunting pedal steel guitar expresses the sonics of fleeting time, a theme Gauthier explores on one of the first songs written for the album, back in 2019. After performing in Albany, New York, the solitary troubadour found herself yearning for her newly discovered soulmateâ€™s â€œcandlestick fingers on my skinâ€: The poignant â€œAbout Timeâ€ documents that lonesome highway, while the singalong waltz â€œTruckers and Troubadoursâ€ acknowledges musical vagabondsâ€™ kinship with long-haulers; in fact, Gauthier and co-writer Darden Smith collaborated with Paul â€œLong Haulâ€ Marhoefer on the ear-catching lyrics. â€œPaul said that when Darden and I get together and start talking,â€ says Gauthier, â€œwe sound like two truck drivers.â€
Finally, Dark Enough to See the Stars bids farewell to Gauthierâ€™s tragically departed friends: â€œWhere Are You Nowâ€ paints an autumnal picture of the trails where she and Betsy roamed; â€œHow Could You Be Goneâ€ expresses in detail the disbelief inherent in our goodbyes; and â€œTil I See You Againâ€ offers a prayer â€œto all those I hope to reunite with,â€ says Gauthier.
As throughout Dark Enough to See the Stars, all three compositions exemplify Mary Gauthierâ€™s songwriting brilliance: They offer beauty in sorrow, healing in loss, and a perspective only an artist of uncommon generosity can give. Thank God for Mary Gauthier.
At Eddie's Attic