High Museum Winter Exhibits (Thursdays)

From the venue:

Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys

 

The High will be the exclusive venue in the Southeastern United States to present the first major exhibition of the world-class art collection owned by musical and cultural icons Swizz Beatz (Kasseem Dean) and Alicia Keys.

Organized by the Brooklyn Museum, where it debuted in February, Giants will feature a focused selection from the couple’s holdings, spotlighting works by multigenerational Black diasporic artists, from 20th century legends such as Nick Cave, Lorna Simpson, and Barkley L. Hendricks, to artists of a younger generation including Deana Lawson, Amy Sherald, and Ebony G. Patterson, who are expanding the legacies of those who came before them.

Giants stands as a testament to the Deans’ ethos of “collecting and preserving the culture of ourselves for ourselves, now and into the future.” Through approximately 115 objects, including 98 major artworks, the exhibition will trace the evolution of an audacious and ambitious collection and explore the ways in which the featured artists and their work have grappled with societal issues, embraced monumentality, and made a palpable impact on the art canon. In addition to paintings, photographs, and sculptures, the galleries will include noteworthy examples of the Deans’ early non-art collecting interests, including albums, musical equipment, and BMX bikes, along with related ephemera.

exhibit page here

Georgia O’Keeffe: “My New Yorks”

Famed for her images of flowers and Southwestern landscapes, Georgia O’Keeffe spent several years of her prolific career exploring the built environment of New York City with brush in hand. The artist moved to the city’s newly built Shelton Hotel in 1924, then the tallest residential skyscraper in the world, and its soaring heights inspired a five-year period of energetic experimentation, across media, scale, subject matter, form, and perspective. She created street-level compositions capturing the city’s monumental skyscrapers from below and suspended views looking down from her 30th-floor apartment. She called these works her “New Yorks” and through them investigated the dynamic potential of New York’s cityscape — the organic and the inorganic, the natural and the constructed. The High is the exclusive venue in the Southeastern United States for this exhibition, the first to seriously examine O’Keeffe’s paintings, drawings, and pastels of urban landscapes while also situating them in the diverse context of her other compositions of the 1920s and early 1930s. The presentation establishes these works not as outliers or anomalous to her practice but as entirely integral to her modernist investigation in the 1920s — from her abstractions and still lifes at Lake George in upstate New York and beyond to her works upon arriving in the Southwest in 1929. O’Keeffe’s “New Yorks” are essential to understanding how she became the artist we know today.
exhibit page here

Three Decades of Democracy: South African Works on Paper

On May 10, 1994, Nelson Mandela became the first democratically elected president of South Africa, marking the end of decades of systematic and legalized racial segregation known as apartheid. This installation commemorates the thirtieth anniversary of the end of apartheid through a presentation of South African prints and works on paper from the High’s collection. The eight artists featured make observations about South African social and cultural life, employing their art to resist, witness, and reflect.

exhibit page here

Shaheen Collection of French Works

Through the generosity of numerous collectors, benefactors, and supporters, the High Museum has assembled a distinguished collection of European art ranging in date from the fourteenth through twentieth centuries. The collection of paintings displayed in this installation represent the accomplishment of Doris and Shouky Shaheen. Collected over a span of four decades, these works were presented as a gift to the High Museum in 2019.

The Doris and Shouky Shaheen Collection focuses on French art of the late nineteenth and early twentieth centuries. Within this timeframe, the paintings represent an array of styles, including the pre-Impressionist realism of Eugene Boudin’s harbor views, the shimmering Impressionism of Claude Monet’s and Camille Pissarro’s landscapes, and the expressive modernism of Amedeo Modigliani’s and Henri Matisse’s figure studies.

exhibit page here