TAUK and Underground Springhouse

From the venue:

TAUK has been painting with sound for nearly a decade now, pushing boundaries and reinventing themselves every chance they get. Founded by Dolan, Jalbert, and Carter, who began playing together as middle schoolers on Long Island, the band landed on its present incarnation in 2012, when college pal Teel joined full time.
 
Since then, the quartet has gone on to tour with the likes of Umphrey’s McGee, Widespread Panic, and Lettuce, landed festival slots everywhere from Bonnaroo to Electric Forest, racked up millions of streams across platforms, and garnered extensive critical praise with a series of widely lauded studio and live albums. The Washington Post hailed the band’s music as “a hard-charging, often melodic fusion that—thanks to a penchant for improv—offers limitless possibilities,” while Keyboard Magazine declared that their sound “doesn’t adhere to a single genre but, instead, creates its own,” and Relix dubbed them “an incredibly impressive ensemble of talent.”

“More of the good, less of the bad.” That’s the motto upon which Underground Springhouse have built their sound and style. Exploring reggae, country, and funk influences within a rock ‘n roll context, Springhouse has crafted a genre-bending catalog that takes listeners from beaches to back roads with ear-worm hooks and head-bobbing grooves.

Their debut single, “Joyfell” (2018), has caught the ears of listeners around the country, galvanizing the band to become the touring and recording machine that they are today. Springhouse has since released a full length album, “Underground Springhouse” (2021), and two EPs, “Tom Foolery” (2019) and “I Recall” (2023), as well as a number of one-off singles. Their most recent EP, “I Recall,” features five new songs and showcases the band’s honing of their songwriting craft. On certain tracks the group explores newer influences like bluegrass and Americana, while on others they expand on more familiar styles like reggae and funk. All the while, the band stays true to their motto and their sound by including sing-along choruses and dance-worthy rhythms across the EP.

The band’s consistent recording output and dedicated touring schedule have helped grow their audience from a college town phenomenon into a frenetic mass of music lovers, particularly in the Southeast and along the East Coast, where Springhouse has headlined such venues as Athens’ Georgia Theatre, DC’s 9:30 Club, Nashville’s Exit/In, Birmingham’s Avondale Brewing, New York’s Brooklyn Bowl, Asheville’s Salvage Station, and Atlanta’s Terminal West. Fans should expect the unexpected at a Springhouse concert as no two shows look the same. The band’s fondness for improvisation and segues, and use of mashups and surprise covers make each show a unique experience, and keep fans coming back night after night.

Members Charlie Haas (guitar/vocals), Jackson Thompson (bass/vocals), Max Motley (keyboard/vocals) & Mitch Davidson (guitar/vocals) met in Athens, Georgia while students at the University of Georgia. Underground Springhouse is a product of Athens’ renowned music scene, slowly evolving as the group grew from a dorm room project into the polished outfit they are today.