Louise Mosrie Coombe and Cliff Eberhardt

Sunday December 1, 2024 08:00 PM EST
Cost: Reserved: $30 ($35 day of show)<br>Premium: $34 ($39 day of show)
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From the venue:

Event Description

Reserved: $30 ($35 day of show)Premium: $34 ($39 day of show) 
Cliff Eberhardt: “Somewhere between Broadway and the Blues” 
Cliff’s dad introduced him to the guitar when he was 7 and he quickly taught himself to play. He cut his teeth listening to James Taylor, Joni Mitchell, Bruce Springsteen, Howlin’ Wolf, Muddy Waters, Bonnie Raitt, and Mississippi John Hurt at local clubs — but also Cole Porter, the Gershwins, and Rodgers and Hart.
Cliff moved to New York in 1978 - because the clubs were great (the Bitter End, the Speakeasy, Kenny’s Castaway, Folk City) and the company amazing (John Gorka, Suzanne Vega, Lucy Kaplansky, Julie Gold, Steve Forbert, Christine Lavin, and Shawn Colvin). Between long hours as a taxi driver, Cliff played guitar on the road with Richie Havens, Melanie and sang jingles for Coke, Miller Beer and Chevrolet (“The Heartbeat of America” campaign).
In 1990 Cliff’s song “My Father’s Shoes,” appeared on Windham Hill’s Legacy collection, leading to a deal with the label. They released Cliff’s first album, The Long Road (1990), a work featuring a duet with Richie Havens. The critical response to this debut was incredible (The Philadelphia Inquirer called the album a “repeatedly astounding collection”). He followed with two more records on Shanachie before releasing 12 Songs of Good and Evil (1997) on Red House Records. Cliff recorded two more albums before his critically acclaimed The High Above and the Down Below, named the #5 album of 2007 by USA Today. Produced by Red House Records president Eric Peltoniemi, it was recorded in Minneapolis with noted jazz players Gordy Johnson, J. T. Bates and Rich Dworsky and was his first album after spending several years recovering from a car accident.   
Recorded in the Texas Hill Country, Cliff’s 2009 album 500 Miles: The Blue Rock Session is an intimate album of powerful originals and unique covers, it features a reworking of his hit “The Long Road” – more poignant after over 20 years of touring and recording.
Cliff’s song “Memphis” was included on Cry Cry Cry, an album of collaborative covers by the “folk supergroup” (comprised of Dar Williams, Lucy Kaplansky and Richard Shindell). Other performers who have recorded his songs include Richie Havens, Shawn Colvin, David Broza, Russ Taff and Buffy Sainte Marie. A collection of his songs has been published in The Cliff Eberhardt Songbook (Cherry Lane Publishing).   
In 2011, Cliff got a phone call from the Folger Theatre and Shakespeare Library in Washington DC. They hired Cliff to write original songs for the Shakespeare classic “The Taming of the Shrew”. It would be set in the old West - Deadwood style - and Cliff was cast as the blind but wise old saloon singer bookending scenes with his poignant songs and guitar phrases. The play was a huge success and won much critical acclaim across town and 7 weeks of solid sold-out shows in the Spring of 2012.
In 2024, Cliff is releasing a covers album with songs by artist he admires: Leon Russell, James Taylor, Irving Berlin, Cole Porter, Tom Waits and several others…It’s titled “Found Objects”. He also was just appointed as Coordinator for Contemporary Folk Week at Swannanoa Gathering at Warren Wilson College – an annual prestigious songwriting camp for adults. 
Cliff never gives up and never gives in.  www.cliffeberhardt.net.

LOUISE MOSRIE“...this Nashville-based singer/songwriter blew us away with her in-store performance. Like listening to Patty Griffin and Susan Tedeschi at the same time. Highlight of the 30A Songwriter Festival.”– Central Square Records, Seaside, FL“Louise Mosrie may well be the brightest young folk-oriented artist to emerge from Nashville in many a year.”– Rich Warren, WFMT-FM Chicago
“Mosrie’s compositions are thoughtful, refined creations.”– Maverick Magazine
A Louise Mosrie Coombe show is warm, intimate, funny, and thought-provoking…she weaves together narratives between songs peppered with humorous personal stories and historical anecdotes with her unique Southern POV. The first thing most people remark on is her voice. 
Louise is a classically trained singer with a big pop voice (and a touch of twang) and an award-winning songwriter. Audiences also love her stories behind the songs and honest polished delivery. She has won top honors at songwriting contests around the country including Kerrville (TX) New Folk (2x winner – the only one!), Telluride Bluegrass Festival (CO), Rocky Mountain Folks Fest (CO), Falcon Ridge Folk Festival (NY) and SolarFest (VT). 
Louise’s historical songs have been used in two documentaries broadcast on PBS. She has played at esteemed venues such as The Bluebird Café in Nashville, The Birchmere in D.C., Club Passim in Boston, XM/Sirius in D.C., 30A Songwriter Festival (FL) and Caffe Lena in Saratoga, NY.

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