Live Review: Big Ears Festival in Knoxville, Tenn. (Feb. 6-8)

Would people really come to Knoxville from all over the country — all over the world — for the Big Ears Festival? The answer: A resounding yes.

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By Omar Khalid-

Why Knoxville? Why Knoxville? The question was asked and subsequently answered more than a few times during last weekend's ambitious avant-garde/outer music festival dubbed "Big Ears." Fennesz, Jon Hassell, Matmos, the Necks, Neil Hamburger, Antony & the Johnsons, Negativland, Philip Glass and many others. Would people really come to Knoxville from all over the country - all over the world - for a music festival with, yes, a wide variety of music, but all somewhat in the "weird music" vein? Would the community support it? The answer: A resounding yes.-

Festival organizer Ashley Capps - whose company AC entertainment is responsible for the success that has become Bonaroo - lives in Knoxville and apparently has roots in promoting free jazz and experimental music in the area.-

If one thing stood out about the festival, it was how professional, yet easy the whole experience was. There were as many as 10 venues involved, all seeming to be just blocks from each other, with everything starting on or near on time. Go have a huge $2.50 bloody mary at the Bistro for a brunch performance from the Balkan-gypsy inspired Luminescent Orchestrii; walk down the street to catch some of the film Powaqqatsi at the beautiful Tennessee Theatre (Knoxville's own version of Atlanta's Fox Theatre); a few blocks over, there's a performance from NYC clarinet/saxophone circular-breathing virtuoso Ned Rothenberg; stroll back down to the Bijou for the Phillip Glass concert. It was a busy weekend, but everything was so well-planned, the acts so thoughtfully scheduled. The fluke weather in the high 60s couldn't have hurt either. The only hangup was probably when Saturday's 10 p.m. show with the Baltimore combo Matmos had to suddenly be moved from the Square Room to "Old City's" Catalyst. Apparently the proprietors of the Square Room were, uh, squares. Something in the video to be shown during the Matmos performance they found offensive (probably the naked dude getting into the hot tub). Regardless, that show at the Catalyst was one of the better experiences of the whole festival (no, not because of the naked hot tub video).





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