Andy Browne Troupe fires the big guns for 'Zazel'
Former Nightporters singer and guitarist salutes the teen girl credited as the first human cannonball
“Zazel is everything,” Browne says. “I'm here to reintroduce her to the world and give away the keys to Houdini’s estate.”
Attendant to that admittedly obtuse effort will be Browne’s Troupers: Dean Browne (bass), Jeff Ford (guitar), Frank French (keyboard), Pito Monteguedo (percussion) and Joe Smith (saxophone). The Troupe is scheduled for a Friday afternoon in-store session at Wax ‘n’ Facts, a headlining gig at Smith’s Olde Bar Sat., Aug. 27, and an appearance at the Summer Shade Festival at Grant Park on Sun., Aug. 28.
In Zazel, Browne plays a dual role as a fiercely dissenting, frightfully sensitive alt-indie troubadour who meets a rabble-rousing, guitar-thrashing mad hatter for tea and a smoke before joining forces to rock the rabbit hole with clever verses and a heaping helping of Southern boogie. Songs such as “Sacred Cow” and “Southern Rain” reflect a wiser, tamer, more introspective Browne, while other tracks, such as “Ida Lupino” and “Of Human Bondage,” render a harshly critical if not entirely pessimistic portrait of the 21st century social milieu.
Browne, first and foremost, is a rocker, raised on Chuck Berry, Rolling Stones, Velvet Underground, David Bowie, and the Ramones. His music holds a few sharply honed edges, which can be traced to the art-punk scene that spawned the Nightporters, and also bears painful evidence of life’s bruising nature, and even a knockout or two. Through it all, the Andy Browne Troupe plays seriously tight, unpretentious, kick ass rock ‘n’ roll. Their likes and kinds have been seen and heard before and it’s great to have them back.