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Stereolab

Sunday September 14, 2025 08:00 PM EDT
Cost: $37 - $65
Disclaimer: All prices are current as of the posting date and are subject to change. Please check the venue or ticket sales site for the current pricing.
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CRITIC’S PICK:
Sun., Sep. 14
Stereolab, Variety Playhouse — Unfortunately for me, Stereolab is a band I didn’t get into until a few years ago. I’d always heard their name lauded in the hipster blogs, but sort of lumped them in with Radiohead as a band critics loved, but I wouldn’t. Now, they have become one of my most listened to bands — so I’m making up for lost time. The combination of classic and experimental sounds make them sound familiar and futuristic at the same time. Albums like Dots And Loops and Emperor Tomato Ketchup are such expansive pieces of art, chocked-full of everything there is to like about music: sweet hooks, smart lyrics, a kaleidoscope of genres, and, of course, songs sung in French. Bright pop songs that sound straight out of a Sears commercial contain lyrics about the connection between war and capitalism. Soundscapes like “The Flower Called Nowhere” put you in a trance-like state with their psychedelic piano and haunting vocal melodies reminiscent of The Velvet Underground & Nico. And then you have the songs in French. I eat it all up. — Matthew Warhol

From the venue:

With their hypnotic rhythms and mesmerizing vocals, Stereolab became one of indie's most distinctive and influential bands when they emerged in the early '90s. Led by Tim Gane and Laetitia Sadier, the group celebrated strands of pop music — bossa nova, lounge-pop, movie soundtracks — that were traditionally banished from rock's lineage. On early singles and albums such as 1993's Transient Random-Noise Bursts with Announcements, Stereolab combined '60s pop melodies with an art rock aesthetic borrowed from Krautrock bands like Faust and Neu!; by the time of 1996's Emperor Tomato Ketchup, their sound incorporated jazz, hip-hop, and dance music. Their work with John McEntire and Jim O'Rourke on 1997's Dots and Loops and 2001's Sound-Dust reflected an increasingly intricate, experimental approach, but following the 2002 death of member Mary Hansen, they eventually returned to a poppier style on albums like 2008's Chemical Chords. Stereolab's unmistakable sound had a lasting impact: Contemporaries like Pavement and Blur aped their style in the '90s, while hip-hop artists such as J Dilla and Tyler the Creator sampled the band's music or collaborated with its members in the 2000s and 2010s. Late in that decade and into the 2020s, Stereolab's revival as a touring band and a steady stream of reissues underscored their reputation as innovators.
More information

At

5f994 Variety Playhouse Magnum
1099 Euclid Ave. N.E.
Atlanta, GA 30307
(404) 524-7354
variety-playhouse.com
neighborhood: @LilFivePts #littlefivepoints #l5patl #little5points