Matthew Warhol
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string(7057) "!!Wed., Apr. 6
Boy Harsher, Terminal West — Boy Harsher are built for a winter tour. Atlanta in April might be too warm for the cruel frost their music conjures up. Their dark wave synths are bone-chilling. The drums are cold and lifeless in the best way possible. They demand you dance like a skeleton with your eyeholes pointed towards the floor. The haunting vocals of Jae Matthews are somehow both soothing and disturbing. Songs like “LA,” “Pain,” and “Tears,” make me beg for Delorean to 80s so this music can get the worldwide respect it deserves. Although they may not reach the heights of New Order, I am so glad gothic new wave is hip again. I was getting tired of the dancing to The Cure surrounded by 60-year-old vampires.
$17-20. Wed., Apr. 6, 8:30 p.m. Terminal West, 887 W. Marietta St. N.W. terminalwestatl.com @terminalwest
!!Fri., Apr. 8
Sad & Boujee, Hell at The Masquerade — When I was in high school, I remember seeing ‘80s parties happening at clubs and thinking, “This is embarrassing. When I am in my 40s, I will never try to relive my glory days like these old fucks.” Never would I have thought that a mere 12 years later, when I am still in my twenties, people in my age-range would be foaming at the mouths for emo night, 2009-themed parties, or, the worst-named one yet, “Sad & Boujee.” First off, the Migos pun is an insult to the seminal Atlanta rap group. But this cringe DJ cash grab is reactionary, made only to feed the millennial audience longing for their hair straighteners and skinny jeans, so the rest of my gripes lie with them. Millennials, you can still be cool. You do not need to fawn for the pop culture of your high school/college years, because Panic! At The Disco kinda sucked the first time around. I love Paramore as much as the next person, but Haley Williams herself would be rolling her eyes at you dusting off your shutter shades for this event. Do better, please.
$10-15. Fri., Apr. 8, 9:00 p.m. Hell at The Masquerade, 75 Martin Luther King Jr. Dr. S.W. http://masqueradeatlanta.com/|masqueradeatlanta.com] @masquerade_atl
black midi, Variety Playhouse — black midi is a hard band to describe. The trio have so many different elements in their music — math rock, psychedelia, jazz, bossanova, chamber pop — that using words to define them kind of just makes things more confusing. Perhaps they can better be illustrated by simply looking at the cover art for their sophomore album, Cavalcade. It’s a beautifully strange mess of colors and lines with hardly any identifiable icons or focus. You can experience it for 10 minutes and have more questions than you started with. And that’s the fun with black midi. Their music is a journey through strange lands, an adventure.
$20-35. Fri., Apr. 8, 8:30 p.m. Variety Playhouse, 1099 Euclid Ave. N.E. variety-playhouse.com @varietyplayhouse
!!Sat., Apr. 9
Fuzz, Terminal West — Ty Segall has been single-handedly keeping garage rock alive for over 10 years now. I will never forget listening to his albums—solo, collaborative and with Ty Segall Band—on the walk to-and-from my college classes. And I will especially never forget the riot of a mosh pit when I finally got see my hero at Bonnaroo. With Fuzz, the Ty Segall project started in 2013, he hopped on drums. Other than that, Fuzz is pretty much business as for Ty, heavy riffs, abrasive vocals, songs that pull from all corners and decades of gritty rock n roll, and, of course, fuzz pedal. Ty Segall is still that guy over a decade later. And why would he need to stop doing what he does so damn well?
$22-25. Sat., Apr. 9, 9:00 p.m. Terminal West, 887 W. Marietta St. N.W. terminalwestatl.com @terminalwest
!!Wed., Apr. 13
seeyousoon, The Eastern — seeyousoon may be the group to fill the Brockhampton-sized hole left in the music industry. From the outside, the Florida nine-piece collective has a lot in common with the California boyband: large numbers, singers, rappers, slick beats in a variety of styles, internet expertise, and song titles stylized in all caps. But, I think seeyousoon might cast an even wider net with their music than Brockhampton. Their instrumentals take a different feel, often borrowing from house and electro. Many of the songs from their sophomore project, HZLIKEHELL, would feel more at home in the rave than at a rap show. Vocalist Maddie Barker breaks up the machismo with pop rap hooks, something that was consistently missing from the Brockhampton boy’s club. But seeyousoon’s biggest strength, one the two groups have in common, is individual personalities that form like Vultron.— Matthew Warhol
Free. Wed. Apr. 13, 6:30 p.m. The Eastern, 777 Memorial Dr. S.E. easternatl.com @easternatl
!!Fri., Apr. 15
April Friday Jazz Night, High Museum of Art — Hands down, jazz nights are the best way to experience the High Museum. I love museums. But, my biggest complaint about them is that visiting a museum is too similar to going to the library. On jazz night, however, The High is alive. People are drinking and laughing and clapping. Everyone gets dressed up. The main corridor is buzzing from the energy produced by world-class musicians giving their all. And you’re free to walk through the exhibits as usual, but even that feels electrified. Somehow, Atlanta’s biggest arts institution gets even more creative.
$25. Fri. Apr. 15, 6:00 p.m. High Museum of Art, 1280 Peachtree St. N.E. high.org @ highmuseumofart
!!Wed., Apr. 20
Blu Anxxiety, 529 Bar — The first thing to catch my attention about Blu Anxxiety was frontman Chi Orengo’s unique look. He was dawned in a black lace dress meant for a mourning widow with face tattoos, blacked-out teeth, and a chain connecting his nose and ear piercings. Morbid curiosity forced me to explore this madman’s music? What I found, wasn’t as unique, but a familiar goth new wave mixed with punk aggression, executed to perfection. Songs shouting about internet culture, depression, and systematic oppression. I can’t think of a better way to spend the stoner holiday.
$25. Fri. Apr. 15, 6:00 p.m. High Museum of Art, 1280 Peachtree St. N.E. high.org @ highmuseumofart
!!Tue., Apr. 26
Helado Negro, Terminal West — Helado Negro is best listened to while looking at the sun set over the ocean. The South Florida-born, Ecuadorian artist infuses every song with the warm sunshine and easy waves you expect from these two places. Sometimes, it’s with a bare-bones love song strung on a nylon string guitar. Other times, he conjures a dream pop cloud out of synth and delay for you to float around on. He’s been playing with peaceful sounds for over a decade now, gaining his largest following on the back of 2019’s This Is How You Smile.No matter the sound or language, the feeling will remain tranquil, cool, and Helado.
$25-28. Tue., Apr. 26, 8:00 p.m. Terminal West, 887 W. Marietta St. N.W. terminalwestatl.com @terminalwest"
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__Boy Harsher, Terminal West — __Boy Harsher are built for a winter tour. Atlanta in April might be too warm for the cruel frost their music conjures up. Their dark wave synths are bone-chilling. The drums are cold and lifeless in the best way possible. They demand you dance like a skeleton with your eyeholes pointed towards the floor. The haunting vocals of Jae Matthews are somehow both soothing and disturbing. Songs like “LA,” “Pain,” and “Tears,” make me beg for Delorean to 80s so this music can get the worldwide respect it deserves. Although they may not reach the heights of New Order, I am so glad gothic new wave is hip again. I was getting tired of the dancing to The Cure surrounded by 60-year-old vampires.
''$17-20. Wed., Apr. 6, 8:30 p.m. Terminal West, 887 W. Marietta St. N.W. [http://terminalwestatl.com/|terminalwestatl.com] @terminalwest''
!!~~#0000ff:Fri., Apr. 8~~
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__Sad & Boujee, Hell at The Masquerade — __When I was in high school, I remember seeing ‘80s parties happening at clubs and thinking, “This is embarrassing. When I am in my 40s, I will never try to relive my glory days like these old fucks.” Never would I have thought that a mere 12 years later, when I am still in my twenties, people in my age-range would be foaming at the mouths for emo night, 2009-themed parties, or, the worst-named one yet, “Sad & Boujee.” First off, the Migos pun is an insult to the seminal Atlanta rap group. But this cringe DJ cash grab is reactionary, made only to feed the millennial audience longing for their hair straighteners and skinny jeans, so the rest of my gripes lie with them. Millennials, you can still be cool. You do not need to fawn for the pop culture of your high school/college years, because Panic! At The Disco kinda sucked the first time around. I love Paramore as much as the next person, but Haley Williams herself would be rolling her eyes at you dusting off your shutter shades for this event. Do better, please.
''$10-15. Fri., Apr. 8, 9:00 p.m. Hell at The Masquerade, 75 Martin Luther King Jr. Dr. S.W. http://masqueradeatlanta.com/|masqueradeatlanta.com] @masquerade_atl''
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__black midi, Variety Playhouse — __ black midi is a hard band to describe. The trio have so many different elements in their music — math rock, psychedelia, jazz, bossanova, chamber pop — that using words to define them kind of just makes things more confusing. Perhaps they can better be illustrated by simply looking at the cover art for their sophomore album, ''Cavalcade''. It’s a beautifully strange mess of colors and lines with hardly any identifiable icons or focus. You can experience it for 10 minutes and have more questions than you started with. And that’s the fun with black midi. Their music is a journey through strange lands, an adventure.
''$20-35. Fri., Apr. 8, 8:30 p.m. Variety Playhouse, 1099 Euclid Ave. N.E. [http://variety-playhouse.com/|variety-playhouse.com] @varietyplayhouse''
!!~~#0000ff:Sat., Apr. 9~~
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__Fuzz, Terminal West — Ty Segall has been single-handedly keeping garage rock alive for over 10 years now. I will never forget listening to his albums—solo, collaborative and with Ty Segall Band—on the walk to-and-from my college classes. And I will especially never forget the riot of a mosh pit when I finally got see my hero at Bonnaroo. With Fuzz, the Ty Segall project started in 2013, he hopped on drums. Other than that, Fuzz is pretty much business as for Ty, heavy riffs, abrasive vocals, songs that pull from all corners and decades of gritty rock n roll, and, of course, fuzz pedal. Ty Segall is still that guy over a decade later. And why would he need to stop doing what he does so damn well?__
''$22-25. Sat., Apr. 9, 9:00 p.m. Terminal West, 887 W. Marietta St. N.W. [http://terminalwestatl.com/|terminalwestatl.com] @terminalwest''
!!~~#0000ff:Wed., Apr. 13~~
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__seeyousoon, The Eastern — __ seeyousoon may be the group to fill the Brockhampton-sized hole left in the music industry. From the outside, the Florida nine-piece collective has a lot in common with the California boyband: large numbers, singers, rappers, slick beats in a variety of styles, internet expertise, and song titles stylized in all caps. But, I think seeyousoon might cast an even wider net with their music than Brockhampton. Their instrumentals take a different feel, often borrowing from house and electro. Many of the songs from their sophomore project, ''HZLIKEHELL'', would feel more at home in the rave than at a rap show. Vocalist Maddie Barker breaks up the machismo with pop rap hooks, something that was consistently missing from the Brockhampton boy’s club. But seeyousoon’s biggest strength, one the two groups have in common, is individual personalities that form like Vultron.— Matthew Warhol
''Free. Wed. Apr. 13, 6:30 p.m. The Eastern, 777 Memorial Dr. S.E. [http://easternatl.com|easternatl.com] @easternatl''
!!~~#0000ff:Fri., Apr. 15~~
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__April Friday Jazz Night, High Museum of Art — __ Hands down, jazz nights are the best way to experience the High Museum. I love museums. But, my biggest complaint about them is that visiting a museum is too similar to going to the library. On jazz night, however, The High is alive. People are drinking and laughing and clapping. Everyone gets dressed up. The main corridor is buzzing from the energy produced by world-class musicians giving their all. And you’re free to walk through the exhibits as usual, but even that feels electrified. Somehow, Atlanta’s biggest arts institution gets even more creative.
''$25. Fri. Apr. 15, 6:00 p.m. High Museum of Art, 1280 Peachtree St. N.E. [https://high.org|high.org] @ highmuseumofart''
!!~~#0000ff:Wed., Apr. 20~~
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__Blu Anxxiety, 529 Bar — __The first thing to catch my attention about Blu Anxxiety was frontman Chi Orengo’s unique look. He was dawned in a black lace dress meant for a mourning widow with face tattoos, blacked-out teeth, and a chain connecting his nose and ear piercings. Morbid curiosity forced me to explore this madman’s music? What I found, wasn’t as unique, but a familiar goth new wave mixed with punk aggression, executed to perfection. Songs shouting about internet culture, depression, and systematic oppression. I can’t think of a better way to spend the stoner holiday.
''$25. Fri. Apr. 15, 6:00 p.m. High Museum of Art, 1280 Peachtree St. N.E. [https://high.org|high.org] @ highmuseumofart''
!!~~#0000ff:Tue., Apr. 26~~
{DIV()}{img fileId="49847" stylebox="float: left; margin-right:25px;" desc="desc" link="" width="300px" responsive="y"}{DIV}
__Helado Negro, Terminal West — __ Helado Negro is best listened to while looking at the sun set over the ocean. The South Florida-born, Ecuadorian artist infuses every song with the warm sunshine and easy waves you expect from these two places. Sometimes, it’s with a bare-bones love song strung on a nylon string guitar. Other times, he conjures a dream pop cloud out of synth and delay for you to float around on. He’s been playing with peaceful sounds for over a decade now, gaining his largest following on the back of 2019’s ''This Is How You Smile''.No matter the sound or language, the feeling will remain tranquil, cool, and Helado.
''$25-28. Tue., Apr. 26, 8:00 p.m. Terminal West, 887 W. Marietta St. N.W. [http://terminalwestatl.com/|terminalwestatl.com] @terminalwest''"
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string(7609) " Boy Harsher PERPETUAL WINTER: Boy Harsher Bring their Cold Sounds to Terminal West April 6. PHOTO CREDIT: Courtesy Jordan Hemingway. 2022-03-29T15:42:16+00:00 tumblr_44cb5a511460da3bb1187478e94d6a9c_f9282f27_2048.jpeg Boy Harsher 2022-03-29T14:24:59+00:00 THE VINYL WARHOL: April 2022 jim.harris Jim Harris Matthew Warhol mwarholsocial (Matthew Warhol) 2022-03-29T14:24:59+00:00 !!Wed., Apr. 6
Boy Harsher, Terminal West — Boy Harsher are built for a winter tour. Atlanta in April might be too warm for the cruel frost their music conjures up. Their dark wave synths are bone-chilling. The drums are cold and lifeless in the best way possible. They demand you dance like a skeleton with your eyeholes pointed towards the floor. The haunting vocals of Jae Matthews are somehow both soothing and disturbing. Songs like “LA,” “Pain,” and “Tears,” make me beg for Delorean to 80s so this music can get the worldwide respect it deserves. Although they may not reach the heights of New Order, I am so glad gothic new wave is hip again. I was getting tired of the dancing to The Cure surrounded by 60-year-old vampires.
$17-20. Wed., Apr. 6, 8:30 p.m. Terminal West, 887 W. Marietta St. N.W. terminalwestatl.com @terminalwest
!!Fri., Apr. 8
Sad & Boujee, Hell at The Masquerade — When I was in high school, I remember seeing ‘80s parties happening at clubs and thinking, “This is embarrassing. When I am in my 40s, I will never try to relive my glory days like these old fucks.” Never would I have thought that a mere 12 years later, when I am still in my twenties, people in my age-range would be foaming at the mouths for emo night, 2009-themed parties, or, the worst-named one yet, “Sad & Boujee.” First off, the Migos pun is an insult to the seminal Atlanta rap group. But this cringe DJ cash grab is reactionary, made only to feed the millennial audience longing for their hair straighteners and skinny jeans, so the rest of my gripes lie with them. Millennials, you can still be cool. You do not need to fawn for the pop culture of your high school/college years, because Panic! At The Disco kinda sucked the first time around. I love Paramore as much as the next person, but Haley Williams herself would be rolling her eyes at you dusting off your shutter shades for this event. Do better, please.
$10-15. Fri., Apr. 8, 9:00 p.m. Hell at The Masquerade, 75 Martin Luther King Jr. Dr. S.W. http://masqueradeatlanta.com/|masqueradeatlanta.com] @masquerade_atl
black midi, Variety Playhouse — black midi is a hard band to describe. The trio have so many different elements in their music — math rock, psychedelia, jazz, bossanova, chamber pop — that using words to define them kind of just makes things more confusing. Perhaps they can better be illustrated by simply looking at the cover art for their sophomore album, Cavalcade. It’s a beautifully strange mess of colors and lines with hardly any identifiable icons or focus. You can experience it for 10 minutes and have more questions than you started with. And that’s the fun with black midi. Their music is a journey through strange lands, an adventure.
$20-35. Fri., Apr. 8, 8:30 p.m. Variety Playhouse, 1099 Euclid Ave. N.E. variety-playhouse.com @varietyplayhouse
!!Sat., Apr. 9
Fuzz, Terminal West — Ty Segall has been single-handedly keeping garage rock alive for over 10 years now. I will never forget listening to his albums—solo, collaborative and with Ty Segall Band—on the walk to-and-from my college classes. And I will especially never forget the riot of a mosh pit when I finally got see my hero at Bonnaroo. With Fuzz, the Ty Segall project started in 2013, he hopped on drums. Other than that, Fuzz is pretty much business as for Ty, heavy riffs, abrasive vocals, songs that pull from all corners and decades of gritty rock n roll, and, of course, fuzz pedal. Ty Segall is still that guy over a decade later. And why would he need to stop doing what he does so damn well?
$22-25. Sat., Apr. 9, 9:00 p.m. Terminal West, 887 W. Marietta St. N.W. terminalwestatl.com @terminalwest
!!Wed., Apr. 13
seeyousoon, The Eastern — seeyousoon may be the group to fill the Brockhampton-sized hole left in the music industry. From the outside, the Florida nine-piece collective has a lot in common with the California boyband: large numbers, singers, rappers, slick beats in a variety of styles, internet expertise, and song titles stylized in all caps. But, I think seeyousoon might cast an even wider net with their music than Brockhampton. Their instrumentals take a different feel, often borrowing from house and electro. Many of the songs from their sophomore project, HZLIKEHELL, would feel more at home in the rave than at a rap show. Vocalist Maddie Barker breaks up the machismo with pop rap hooks, something that was consistently missing from the Brockhampton boy’s club. But seeyousoon’s biggest strength, one the two groups have in common, is individual personalities that form like Vultron.— Matthew Warhol
Free. Wed. Apr. 13, 6:30 p.m. The Eastern, 777 Memorial Dr. S.E. easternatl.com @easternatl
!!Fri., Apr. 15
April Friday Jazz Night, High Museum of Art — Hands down, jazz nights are the best way to experience the High Museum. I love museums. But, my biggest complaint about them is that visiting a museum is too similar to going to the library. On jazz night, however, The High is alive. People are drinking and laughing and clapping. Everyone gets dressed up. The main corridor is buzzing from the energy produced by world-class musicians giving their all. And you’re free to walk through the exhibits as usual, but even that feels electrified. Somehow, Atlanta’s biggest arts institution gets even more creative.
$25. Fri. Apr. 15, 6:00 p.m. High Museum of Art, 1280 Peachtree St. N.E. high.org @ highmuseumofart
!!Wed., Apr. 20
Blu Anxxiety, 529 Bar — The first thing to catch my attention about Blu Anxxiety was frontman Chi Orengo’s unique look. He was dawned in a black lace dress meant for a mourning widow with face tattoos, blacked-out teeth, and a chain connecting his nose and ear piercings. Morbid curiosity forced me to explore this madman’s music? What I found, wasn’t as unique, but a familiar goth new wave mixed with punk aggression, executed to perfection. Songs shouting about internet culture, depression, and systematic oppression. I can’t think of a better way to spend the stoner holiday.
$25. Fri. Apr. 15, 6:00 p.m. High Museum of Art, 1280 Peachtree St. N.E. high.org @ highmuseumofart
!!Tue., Apr. 26
Helado Negro, Terminal West — Helado Negro is best listened to while looking at the sun set over the ocean. The South Florida-born, Ecuadorian artist infuses every song with the warm sunshine and easy waves you expect from these two places. Sometimes, it’s with a bare-bones love song strung on a nylon string guitar. Other times, he conjures a dream pop cloud out of synth and delay for you to float around on. He’s been playing with peaceful sounds for over a decade now, gaining his largest following on the back of 2019’s This Is How You Smile.No matter the sound or language, the feeling will remain tranquil, cool, and Helado.
$25-28. Tue., Apr. 26, 8:00 p.m. Terminal West, 887 W. Marietta St. N.W. terminalwestatl.com @terminalwest Jordan Hemingway PERPETUAL WINTER: Boy Harsher Bring their Cold Sounds to Terminal West April 6. THE VINYL WARHOL: April 2022 "
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THE VINYL WARHOL: April 2022 Article
Tuesday March 29, 2022 10:24 AM EDT
Wed., Apr. 6
Boy Harsher, Terminal West — Boy Harsher are built for a winter tour. Atlanta in April might be too warm for the cruel frost their music conjures up. Their dark wave synths are bone-chilling. The drums are cold and lifeless in the best way possible. They demand you dance like a skeleton with your eyeholes pointed towards the floor. The haunting vocals of Jae Matthews are...
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string(7565) "!!Thu. Feb. 3
Thelma & The Sleaze, Bat Fangs, The EARL — These are the girls your mom warned you about. These are the girls that beat your mom’s ass on the playground in 1975. Thelma & The Sleaze is what Ke$ha was going for when she wrote, “brush my teeth with a bottle of Jack.” This Nashville three-piece sounds like they were plucked straight from a mid-70s biker bar where they were beating up Hell’s Angels and stealing their girlfriends. This is no-holds barred rock n’ roll at its grimiest. Heavy guitar. Growling vocals. In-your-face lyrics. Attitude. All you need to know about Thelma & The Sleaze is that they have albums titled Fuck, Marry, Kill, These Boots Won’t Lick Themselves, and ''Scared as Hell. Hide your kids. Hide your wives.
$13. 8:00p.m., The Earl, 488 Flat Shoals Ave. S.E. badearl.com @badearl
!!Fri., Feb. 4
Kibi James, Benét, Playytime, FRANK/ie CONSENT, 529 Bar — Sometimes you feel the need to support local musicians based off their geography rather than your feelings towards their art. Kibi James is not that kind of Atlanta band. They have a fully formed identity and excellent tunes to match. Azúcar, the group’s first release, is full of color, showcasing a soothing sound that shares DNA with SALES and Banes World. Joining them is Benét, another calming voice whose influence swings more funk and soul, and Playytime, the punk rock curveball to send the crowd into chaos.
$12. 9:00 p.m. 529 Bar, 529 Flat Shoals Ave. S.E. 529atlanta.com @529_EAV
!!Wed. Feb. 9
Zack Fox, Terminal West — The Internet shit poster turned stand-up comedian turned rapper is heading back to his native land after years of conquering the world by just being his fun ass self. You may not take Zack Fox seriously as a musician. And he probably doesn’t either. He doesn’t seem to take anything too seriously and that is his beauty. After the one-off song, “Square Up,” with Kenny Beats in 2018, Fox landed a viral moment appearing on Kenny’s YouTube series, The Cave, when the two crafted the hilarious “Jesus Is the One (I Got Depression).” If you have not heard this song before, please go and listen to it. Fox laments about crashing a car into a white-owned business, committing tax fraud, dipping his balls into thousand island dressing, and shouting out mental illness. This humor permeates throughout his debut project, shut the fuck up talking to me, but with clearer song structure and loads more effort. How will Zack Fox’s many mediums present itself in a live performance? I have no idea. And that is what makes it exciting. “R.I.P. Betty White.”
$25-30. 8:00 p.m. Terminal West, 887 W. Marietta St. N.W. terminalwestatl.com @terminalwest
!!Sat. Feb. 12
GLOVE, Mattiel (DJ Set) | TWINS / That Which Is Not Said, 529 Bar — GLOVE is Central Florida’s only hope. Being a lifelong resident of that unbridled hellscape, I can attest to the struggle of being an artist in Central Florida. Scenes come in waves, have strong presence for a year or two and then die off, usually due to lack of interest or one of the main proprietors moving to greener pastures. GLOVE has done the near impossible. They have managed to stay in their native Tampa—drummer/vocalist Brie Deux owns a lovely vintage boutique there—while touring with larger acts like White Reaper and The Districts, playing the large stages of Shaky Knees and Lollapalooza, and cultivating their own fanbase. And how could a band with this much personality not? Their sound fuses post-punk, synth wave, and art rock into an amalgamation that sounds both fresh and classic. Each of the band members take their turn in the spotlight, trading vocal duties from song to song. Sometimes, bass player Justin Burns — from my hometown, Orlando — will croon a la Joy Division’s Ian Curtis. Other times, the aforementioned Brie Deux will step out from behind the drums and deliver a furious performance in the vain of Yeah Yeah Yeah’s Karen O. But no matter who is at the microphone, GLOVE delivers. See this band before the price of admission goes up.
$12. 9:00 p.m. 529 Bar, 529 Flat Shoals Ave. S.E. 529atlanta.com @529_EAV
Washed Out, The Eastern — I first experienced a Washed Out live show in the most ideal circumstance. It was a beautifully hot summer day at Bonnaroo music festival, and I was laying under a shady tree surrounded by the people closest to me. From a nearby stage, a psychedelic wave washed over the crowd. Whether you knew the music or not, you could not help but be transfixed by the moment. And what makes the chillwave sounds of Washed Out special, is that no matter the setting, his music transports you to a similar place of peace. The everyday problems of life fall away and for a moment, you only exist in a soothing shower of bright keyboards and echoed vocals.
$27-33.8:00 p.m. The Eastern, 777 Memorial Dr. S.E. easternatl.com @easternatl
!!Wed., Feb. 16
Dorian Electra, The Masquerade — The kids sure have been talking a lot about hyperpop lately, haven’t they? If you are not permanently online like myself or the legion of zoomers barking about this stuff, than you may not even be familiar with this new genre or one of its most prominent torch-bearers, Dorian Electra. Allow me to explain. Hyperpop is pop music, oftentimes played at high rpms, that is blindingly bright, showered in vocal effects, and exists in a semi-cringe, online ecosystem. See: Dorian Electra. Songs like “M’Lady” and “Edgelord” poke fun at the shitty man-children of Reddit through computerized singing, while pounding you over the head with industrial beats. Elsewhere, “Career Boy” and “Man to Man” callback to shimmery 80s synth pop, but with modern takes on gender and masculinity. Dorian themselves identify as genderfluid and, through their music, create a space where internet folk, queer and not, can embrace themselves cringe and all.
''$23. 7:00 p.m. Hell at The Masquerade, 50 Lower Alabama St.
!!Sat. Feb. 19
Taylor Swift Night, The Masquerade — Do you get sad when Pumpkin Spice isn’t available at Starbucks? Do you pronounce the retail store “Tar-jay?” Are you staunch listener of the “(Taylor’s Version)” of songs from 10 years ago? Do you think Karen is a slur? Then do I have the event for you! Swifties, rejoice! Put on your best cardigan and black leggings, and celebrate alongside real music listeners as a DJ plays your favorite T-Swizzle hits and B-sides. Scared that people will make fun of you for not knowing how to dance? Don’t worry! Here, no one does.
$15. 9:00 p.m. Heaven at The Masquerade, 50 Lower Alabama St. masqueradeatlanta.com @masquerade_atl
!!Wed. Mar. 2
Deafheaven, The Masquerade — Deafheaven will be the loudest concert you have ever been to. They only circumstance where I can recommend you not wear hearing protection to this show is if you have a major earwax clog causing you hearing loss that you want the bands wall of noise to chip a way at. Having experienced the San Francisco black metal band myself, I can say that in no way was their pounding sound made worse by two pieces of foam in my ears. It has been sometime since their breakout with 2013’s Sunbather—and on the band’s latest release they dramatically diminished the screaming vocals—but there is no doubt in my mind that Deafheaven have only gotten louder in a live setting.
$25. 7:00 p.m. Heaven at The Masquerade, 50 Lower Alabama St. masqueradeatlanta.com @masquerade_atl
—CL—"
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__~~#0000ff:Thelma & The Sleaze, Bat Fangs, The EARL —~~__ These are the girls your mom warned you about. These are the girls that beat your mom’s ass on the playground in 1975. Thelma & The Sleaze is what Ke$ha was going for when she wrote, “brush my teeth with a bottle of Jack.” This Nashville three-piece sounds like they were plucked straight from a mid-70s biker bar where they were beating up Hell’s Angels and stealing their girlfriends. This is no-holds barred rock n’ roll at its grimiest. Heavy guitar. Growling vocals. In-your-face lyrics. Attitude. All you need to know about Thelma & The Sleaze is that they have albums titled ''Fuck, Marry, Kill, These Boots Won’t Lick Themselves'', and ''Scared as Hell. Hide your kids. Hide your wives.
''$13. 8:00p.m., The Earl, 488 Flat Shoals Ave. S.E. badearl.com @badearl''
!!__Fri., Feb. 4__
__~~#0000ff:Kibi James, Benét, Playytime, FRANK/ie CONSENT, 529 Bar~~ —__ Sometimes you feel the need to support local musicians based off their geography rather than your feelings towards their art. Kibi James is not that kind of Atlanta band. They have a fully formed identity and excellent tunes to match. ''Azúcar'', the group’s first release, is full of color, showcasing a soothing sound that shares DNA with SALES and Banes World. Joining them is Benét, another calming voice whose influence swings more funk and soul, and Playytime, the punk rock curveball to send the crowd into chaos.
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__~~#0000ff:Zack Fox, Terminal West~~ —__ The Internet shit poster turned stand-up comedian turned rapper is heading back to his native land after years of conquering the world by just being his fun ass self. You may not take Zack Fox seriously as a musician. And he probably doesn’t either. He doesn’t seem to take anything too seriously and that is his beauty. After the one-off song, “Square Up,” with Kenny Beats in 2018, Fox landed a viral moment appearing on Kenny’s YouTube series, ''The Cave'', when the two crafted the hilarious “Jesus Is the One (I Got Depression).” If you have not heard this song before, please go and listen to it. Fox laments about crashing a car into a white-owned business, committing tax fraud, dipping his balls into thousand island dressing, and shouting out mental illness. This humor permeates throughout his debut project, shut the fuck up talking to me, but with clearer song structure and loads more effort. How will Zack Fox’s many mediums present itself in a live performance? I have no idea. And that is what makes it exciting. “R.I.P. Betty White.”
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!!__Sat. Feb. 12 __
__~~#0000ff:GLOVE, Mattiel (DJ Set) | TWINS / That Which Is Not Said, 529 Bar~~ —__ GLOVE is Central Florida’s only hope. Being a lifelong resident of that unbridled hellscape, I can attest to the struggle of being an artist in Central Florida. Scenes come in waves, have strong presence for a year or two and then die off, usually due to lack of interest or one of the main proprietors moving to greener pastures. GLOVE has done the near impossible. They have managed to stay in their native Tampa—drummer/vocalist Brie Deux owns a lovely vintage boutique there—while touring with larger acts like White Reaper and The Districts, playing the large stages of Shaky Knees and Lollapalooza, and cultivating their own fanbase. And how could a band with this much personality not? Their sound fuses post-punk, synth wave, and art rock into an amalgamation that sounds both fresh and classic. Each of the band members take their turn in the spotlight, trading vocal duties from song to song. Sometimes, bass player Justin Burns — from my hometown, Orlando — will croon a la Joy Division’s Ian Curtis. Other times, the aforementioned Brie Deux will step out from behind the drums and deliver a furious performance in the vain of Yeah Yeah Yeah’s Karen O. But no matter who is at the microphone, GLOVE delivers. See this band before the price of admission goes up.
''$12. 9:00 p.m. 529 Bar, 529 Flat Shoals Ave. S.E. 529atlanta.com @529_EAV''
__~~#0000ff:Washed Out, The Eastern~~ —__ I first experienced a Washed Out live show in the most ideal circumstance. It was a beautifully hot summer day at Bonnaroo music festival, and I was laying under a shady tree surrounded by the people closest to me. From a nearby stage, a psychedelic wave washed over the crowd. Whether you knew the music or not, you could not help but be transfixed by the moment. And what makes the chillwave sounds of Washed Out special, is that no matter the setting, his music transports you to a similar place of peace. The everyday problems of life fall away and for a moment, you only exist in a soothing shower of bright keyboards and echoed vocals.
''$27-33.8:00 p.m. The Eastern, 777 Memorial Dr. S.E. easternatl.com @easternatl''
!!__Wed., Feb. 16__
__~~#0000ff:Dorian Electra, The Masquerade~~ —__ The kids sure have been talking a lot about hyperpop lately, haven’t they? If you are not permanently online like myself or the legion of zoomers barking about this stuff, than you may not even be familiar with this new genre or one of its most prominent torch-bearers, Dorian Electra. Allow me to explain. Hyperpop is pop music, oftentimes played at high rpms, that is blindingly bright, showered in vocal effects, and exists in a semi-cringe, online ecosystem. See: Dorian Electra. Songs like “M’Lady” and “Edgelord” poke fun at the shitty man-children of Reddit through computerized singing, while pounding you over the head with industrial beats. Elsewhere, “Career Boy” and “Man to Man” callback to shimmery 80s synth pop, but with modern takes on gender and masculinity. Dorian themselves identify as genderfluid and, through their music, create a space where internet folk, queer and not, can embrace themselves cringe and all.
''$23. 7:00 p.m. Hell at The Masquerade, 50 Lower Alabama St.
!!__Sat. Feb. 19 __
__~~#0000ff:Taylor Swift Night, The Masquerade~~ —__ Do you get sad when Pumpkin Spice isn’t available at Starbucks? Do you pronounce the retail store “Tar-jay?” Are you staunch listener of the “(Taylor’s Version)” of songs from 10 years ago? Do you think Karen is a slur? Then do I have the event for you! Swifties, rejoice! Put on your best cardigan and black leggings, and celebrate alongside real music listeners as a DJ plays your favorite T-Swizzle hits and B-sides. Scared that people will make fun of you for not knowing how to dance? Don’t worry! Here, no one does.
''$15. 9:00 p.m. Heaven at The Masquerade, 50 Lower Alabama St. masqueradeatlanta.com @masquerade_atl''
!!__Wed. Mar. 2 __
__~~#0000ff:Deafheaven, The Masquerade~~ —__ Deafheaven will be the loudest concert you have ever been to. They only circumstance where I can recommend you not wear hearing protection to this show is if you have a major earwax clog causing you hearing loss that you want the bands wall of noise to chip a way at. Having experienced the San Francisco black metal band myself, I can say that in no way was their pounding sound made worse by two pieces of foam in my ears. It has been sometime since their breakout with 2013’s Sunbather—and on the band’s latest release they dramatically diminished the screaming vocals—but there is no doubt in my mind that Deafheaven have only gotten louder in a live setting.
''$25. 7:00 p.m. Heaven at The Masquerade, 50 Lower Alabama St. masqueradeatlanta.com @masquerade_atl''
__—CL—__"
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Thelma & The Sleaze, Bat Fangs, The EARL — These are the girls your mom warned you about. These are the girls that beat your mom’s ass on the playground in 1975. Thelma & The Sleaze is what Ke$ha was going for when she wrote, “brush my teeth with a bottle of Jack.” This Nashville three-piece sounds like they were plucked straight from a mid-70s biker bar where they were beating up Hell’s Angels and stealing their girlfriends. This is no-holds barred rock n’ roll at its grimiest. Heavy guitar. Growling vocals. In-your-face lyrics. Attitude. All you need to know about Thelma & The Sleaze is that they have albums titled Fuck, Marry, Kill, These Boots Won’t Lick Themselves, and ''Scared as Hell. Hide your kids. Hide your wives.
$13. 8:00p.m., The Earl, 488 Flat Shoals Ave. S.E. badearl.com @badearl
!!Fri., Feb. 4
Kibi James, Benét, Playytime, FRANK/ie CONSENT, 529 Bar — Sometimes you feel the need to support local musicians based off their geography rather than your feelings towards their art. Kibi James is not that kind of Atlanta band. They have a fully formed identity and excellent tunes to match. Azúcar, the group’s first release, is full of color, showcasing a soothing sound that shares DNA with SALES and Banes World. Joining them is Benét, another calming voice whose influence swings more funk and soul, and Playytime, the punk rock curveball to send the crowd into chaos.
$12. 9:00 p.m. 529 Bar, 529 Flat Shoals Ave. S.E. 529atlanta.com @529_EAV
!!Wed. Feb. 9
Zack Fox, Terminal West — The Internet shit poster turned stand-up comedian turned rapper is heading back to his native land after years of conquering the world by just being his fun ass self. You may not take Zack Fox seriously as a musician. And he probably doesn’t either. He doesn’t seem to take anything too seriously and that is his beauty. After the one-off song, “Square Up,” with Kenny Beats in 2018, Fox landed a viral moment appearing on Kenny’s YouTube series, The Cave, when the two crafted the hilarious “Jesus Is the One (I Got Depression).” If you have not heard this song before, please go and listen to it. Fox laments about crashing a car into a white-owned business, committing tax fraud, dipping his balls into thousand island dressing, and shouting out mental illness. This humor permeates throughout his debut project, shut the fuck up talking to me, but with clearer song structure and loads more effort. How will Zack Fox’s many mediums present itself in a live performance? I have no idea. And that is what makes it exciting. “R.I.P. Betty White.”
$25-30. 8:00 p.m. Terminal West, 887 W. Marietta St. N.W. terminalwestatl.com @terminalwest
!!Sat. Feb. 12
GLOVE, Mattiel (DJ Set) | TWINS / That Which Is Not Said, 529 Bar — GLOVE is Central Florida’s only hope. Being a lifelong resident of that unbridled hellscape, I can attest to the struggle of being an artist in Central Florida. Scenes come in waves, have strong presence for a year or two and then die off, usually due to lack of interest or one of the main proprietors moving to greener pastures. GLOVE has done the near impossible. They have managed to stay in their native Tampa—drummer/vocalist Brie Deux owns a lovely vintage boutique there—while touring with larger acts like White Reaper and The Districts, playing the large stages of Shaky Knees and Lollapalooza, and cultivating their own fanbase. And how could a band with this much personality not? Their sound fuses post-punk, synth wave, and art rock into an amalgamation that sounds both fresh and classic. Each of the band members take their turn in the spotlight, trading vocal duties from song to song. Sometimes, bass player Justin Burns — from my hometown, Orlando — will croon a la Joy Division’s Ian Curtis. Other times, the aforementioned Brie Deux will step out from behind the drums and deliver a furious performance in the vain of Yeah Yeah Yeah’s Karen O. But no matter who is at the microphone, GLOVE delivers. See this band before the price of admission goes up.
$12. 9:00 p.m. 529 Bar, 529 Flat Shoals Ave. S.E. 529atlanta.com @529_EAV
Washed Out, The Eastern — I first experienced a Washed Out live show in the most ideal circumstance. It was a beautifully hot summer day at Bonnaroo music festival, and I was laying under a shady tree surrounded by the people closest to me. From a nearby stage, a psychedelic wave washed over the crowd. Whether you knew the music or not, you could not help but be transfixed by the moment. And what makes the chillwave sounds of Washed Out special, is that no matter the setting, his music transports you to a similar place of peace. The everyday problems of life fall away and for a moment, you only exist in a soothing shower of bright keyboards and echoed vocals.
$27-33.8:00 p.m. The Eastern, 777 Memorial Dr. S.E. easternatl.com @easternatl
!!Wed., Feb. 16
Dorian Electra, The Masquerade — The kids sure have been talking a lot about hyperpop lately, haven’t they? If you are not permanently online like myself or the legion of zoomers barking about this stuff, than you may not even be familiar with this new genre or one of its most prominent torch-bearers, Dorian Electra. Allow me to explain. Hyperpop is pop music, oftentimes played at high rpms, that is blindingly bright, showered in vocal effects, and exists in a semi-cringe, online ecosystem. See: Dorian Electra. Songs like “M’Lady” and “Edgelord” poke fun at the shitty man-children of Reddit through computerized singing, while pounding you over the head with industrial beats. Elsewhere, “Career Boy” and “Man to Man” callback to shimmery 80s synth pop, but with modern takes on gender and masculinity. Dorian themselves identify as genderfluid and, through their music, create a space where internet folk, queer and not, can embrace themselves cringe and all.
''$23. 7:00 p.m. Hell at The Masquerade, 50 Lower Alabama St.
!!Sat. Feb. 19
Taylor Swift Night, The Masquerade — Do you get sad when Pumpkin Spice isn’t available at Starbucks? Do you pronounce the retail store “Tar-jay?” Are you staunch listener of the “(Taylor’s Version)” of songs from 10 years ago? Do you think Karen is a slur? Then do I have the event for you! Swifties, rejoice! Put on your best cardigan and black leggings, and celebrate alongside real music listeners as a DJ plays your favorite T-Swizzle hits and B-sides. Scared that people will make fun of you for not knowing how to dance? Don’t worry! Here, no one does.
$15. 9:00 p.m. Heaven at The Masquerade, 50 Lower Alabama St. masqueradeatlanta.com @masquerade_atl
!!Wed. Mar. 2
Deafheaven, The Masquerade — Deafheaven will be the loudest concert you have ever been to. They only circumstance where I can recommend you not wear hearing protection to this show is if you have a major earwax clog causing you hearing loss that you want the bands wall of noise to chip a way at. Having experienced the San Francisco black metal band myself, I can say that in no way was their pounding sound made worse by two pieces of foam in my ears. It has been sometime since their breakout with 2013’s Sunbather—and on the band’s latest release they dramatically diminished the screaming vocals—but there is no doubt in my mind that Deafheaven have only gotten louder in a live setting.
$25. 7:00 p.m. Heaven at The Masquerade, 50 Lower Alabama St. masqueradeatlanta.com @masquerade_atl
—CL— CJ HARVEY @CJHARVEY2 MODERN DYSTOPIAN BLISS: GLOVE performs at 529 Bar on Feb. 12. GLOVE and other upcoming shows "
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GLOVE and other upcoming shows Article
Thursday February 3, 2022 03:12 PM EST
From no-holds barred rock to hyperpop
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