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Best of Atlanta 2007 After Dark

 

Best Of Atlanta 2007 After Dark Large


After Dark



Some things become passé with the passage of time. Like spandex biker shorts. Remember when those were hot? Other stuff transcends the era in which it was created. Sorta like oatmeal. It’s always on the menu.

Sure, it’s easy to take a young, all-female band such as the Coathangers, mash them up with the city’s oldest beer-can-crushing stripper, and label the former trendy and the latter timeless. But that barely scratches the surface. Because there’s nothing more timeless than watching a band full of cute twentysomethings provoke extreme reactions by throwing their femininity in everybody’s face. On the other hand, if you’ve never had Blondie jab you in the face with her tits at the Clermont Lounge, you have yet to receive a true gag gift.

Likewise, Atlanta’s emerging rock scene is brand-spanking new compared with the city’s entrenched rap industry. Yet bands such as the Black Lips and Deerhunter put Atlanta on blast in ‘07 with timeless techniques like DIY touring, grassroots promotion and buzz-worthy performances. Meanwhile, homegrown hip-hop relied on the viral marketing of YouTube dance-offs, mixtape massacres, and a fleeting fantasy to “Party Like a Rockstar.”

Just like the city, the vibe Atlanta emits is a little bit country and a little bit controversial. Put the two together and you get something greater than the sum of our parts.

Call it spandex-flavored oatmeal.

– Rodney Carmichael

Best Blues Club BOA Award Winner

In selecting the city’s best, you always strive to go beyond the obvious. But in this case, the obvious happens to be true: BLIND WILLIE’S drives the blues scene in Atlanta. It’s the club where most of the national acts play when they come to town, and it’s the clubmore...
In selecting the city’s best, you always strive to go beyond the obvious. But in this case, the obvious happens to be true: BLIND WILLIE’S drives the blues scene in Atlanta. It’s the club where most of the national acts play when they come to town, and it’s the club where all local blues bands aspire to perform. The club celebrated its 20th year in 2006 and has doggedly stuck to its formula: It brings in national acts early in the week, and books such local acts as Francine Reed and Luther “Houserocker” Johnson on weekends. less...

Best Local Band That Broke Up BOA Award Winner

Partisan
PARTISAN hooked up in 2002, and four years later released The Gothic and the Gospel, an extraordinarily ambitious debut album. It mixed Afro-beat, Fugazi-era emo punk and indie pop with righteous, fiery lyrics about post-9/11 politics and radical activism. Spread out over 85 minutes, the music was overwhelmingmore...
PARTISAN hooked up in 2002, and four years later released The Gothic and the Gospel, an extraordinarily ambitious debut album. It mixed Afro-beat, Fugazi-era emo punk and indie pop with righteous, fiery lyrics about post-9/11 politics and radical activism. Spread out over 85 minutes, the music was overwhelming and filled with life. Unfortunately, when The Gothic and the Gospel was released on local imprint Reason Y Records, it attracted little attention beyond a small but rabid fan base. Partisan played a few shows, but didn’t have time to mount a real tour. Most of its seven members had full-time, well-paying jobs and couldn’t afford to go on the road for a low-budget national tour. The group quietly disbanded in September 2006, leaving behind a great rock album that most will never hear. less...

Best Local Band You’ve Got to See to Believe BOA Award Winner

The Black Lips
On stage, THE BLACK LIPS explode with raw power that jitters in a stew of blood, sweat and haunted reverb. Somewhere along the journey from playing shows at local rat holes such as the Somber Reptile (RIP) in 2001, to dominating in Tijuana, Mexico, last year, the group discovered the secret to churningmore...

On stage, THE BLACK LIPS explode with raw power that jitters in a stew of blood, sweat and haunted reverb. Somewhere along the journey from playing shows at local rat holes such as the Somber Reptile (RIP) in 2001, to dominating in Tijuana, Mexico, last year, the group discovered the secret to churning out great rock ‘n’ roll songs. The Black Lips’ garage-rock anthems are bound by nostalgia and spastic rebel abandon. The group’s tales of debauchery are the stuff of legends that forefathers the Rolling Stones, the Sex Pistols and MC5 would smile upon. When the group hangs out around town between tours, Atlanta is a lot more fun — even a little dangerous.


www.myspace.com/theblacklips

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