Best of Atlanta: Time again for CL’s critics and readers to celebrate the cultural fabric of the city that boasts the slogan, “Every Day Is An Opening Day.” When it comes to nightlife, the last year has witnessed growth and stability on all fronts. As rappers J.I.D and Childish Major solidified their places as cultural avatars, along comes Trouble, whose haunting Mike WiLL Made-It collab, Edgewood, lays the groundwork for a new chapter in Atlanta hip-hop. Old and new influences have found balance, giving rise to a new cultural identity based on strength through diversity. The young mavericks of Lunar Vacation, and their self-stylized “pool rock,” far exceed their years, crafting gorgeous indie pop melodies. Any time the group books a show at the Drunken Unicorn it’s a guaranteed sell-out, filled with fresh faces — new tenants of new Atlanta. Across the street, resident DJ Ree De La Vega’s Chaka Khan Hacienda takes the art of the day party to new heights of the imagination every Sunday at 8ARM. In the East Atlanta Village, Material Girls continue their reign as a veritable force of nature every time they take the stage. Dead Now took the city by storm with the massive riffs of their self-titled debut album, and who knew that after 18 years the Rock*A*Teens would strike like a thief in the night, delivering a career-defining set of songs with Sixth House. This is all just the tip of the iceberg for After Dark. Take a look, there’s plenty of room to roam around.
— Chad Radford, Music Editor
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Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Critics Pick
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It’s no surprise that Abuse of Power is the de facto leader of Atlanta hardcore. The group’s View of the Few single, and a cover of Car Vs. Driver’s Blame, are understated and message-oriented while avoiding pedantics. Each song defies the lack of diversity that plagues hardcore by the numbers with melodic riffs, sluggish/furious breakdowns, and vocals that elicit call-and-response, old-school-pile-on vibes. Such a tight, distinctive sound sets a high precedent for all of their counterparts to follow.
Photo courtesy of Farrah Skeiky
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Since releasing their exceptional sophomore album Multi-task via Chicago’s Trouble In Mind Records, post-punk outfit OMNI just can’t slow down. With ex-Hello Ocho guitarist Chris Yonker serving as live drummer, singer and bass player Philip Frobos and guitarist Frankie Broyles have taken their wiry conglomeration of intricate riffs and angular grooves across the pond more than a few times for what?s shaped up to be a busy and successful year. The group waves its hometown banner further - geographically and aesthetically - than anyone else in the local rock scene. The new avenues on display with recent singles Sunset Preacher and Delicacy, are filled with promise for a deeper dive into the group’s intrepid ways.
(Photo Courtesy of Omni’s Facebook)
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Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Critics Pick
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An eclectic mix of smooth jazz and soulful R&B stylings culminate in a spiritual awakening when Ruby Velle and the Soulphonics take the stage. Whether performing live, or at any point throughout the group’s latest album, State of All Things, Ruby Velle’s voice rings out with bravado and a presence that transcends the decades. Backed by the Soulphonics, the ensemble gives a nod to Stax Records’ rich legacy of Southern soul, funk, and R&B, and plants it firmly in the here and now, with sass, sophistication, and an unbeatable sense of style.
Photo courtesy of Ruby Velle & The Soulphonics Facebook page
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Scaling the walls of Atlanta’s punk, hardcore, and DIY scenes, the paranoid chant that everyone is talking about this year is courtesy of Harmacy. Part noise rock, punk, and post-punk, the rising foursome unleashed a demo this summer that burst through genre barriers with a huge, chest-filling sound and wiry melodies. On stage, vocalist Brandon Reid tops off every shows with a visceral, brooding performance, sermonizing his lack of satisfaction with the state of the world, and forever pushing the music forward.
(Photo by Onyee Nwazue)
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It’s no surprise that Abuse of Power is the de facto leader of Atlanta hardcore. The group’s View of the Few single, and a cover of Car Vs. Driver’s Blame, are understated and message-oriented while avoiding pedantics. Each song defies the lack of diversity that plagues hardcore by the numbers with melodic riffs, sluggish/furious breakdowns, and vocals that elicit call-and-response, old-school-pile-on vibes. Such a tight, distinctive sound sets a high precedent for all of their counterparts to follow.
Photo courtesy of Farrah Skeiky
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Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Critics Pick
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Since releasing their exceptional sophomore album Multi-task via Chicago’s Trouble In Mind Records, post-punk outfit OMNI just can’t slow down. With ex-Hello Ocho guitarist Chris Yonker serving as live drummer, singer and bass player Philip Frobos and guitarist Frankie Broyles have taken their wiry conglomeration of intricate riffs and angular grooves across the pond more than a few times for what?s shaped up to be a busy and successful year. The group waves its hometown banner further - geographically and aesthetically - than anyone else in the local rock scene. The new avenues on display with recent singles Sunset Preacher and Delicacy, are filled with promise for a deeper dive into the group’s intrepid ways.
(Photo Courtesy of Omni’s Facebook)
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Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Critics Pick
Best Local Producer BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Readers Pick
Best Local Promoter BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Critics Pick
Best Local Promoter BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Readers Pick
Best Local R&B/Soul Act BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Critics Pick
An eclectic mix of smooth jazz and soulful R&B stylings culminate in a spiritual awakening when Ruby Velle and the Soulphonics take the stage. Whether performing live, or at any point throughout the group’s latest album, State of All Things, Ruby Velle’s voice rings out with bravado and a presence that transcends the decades. Backed by the Soulphonics, the ensemble gives a nod to Stax Records’ rich legacy of Southern soul, funk, and R&B, and plants it firmly in the here and now, with sass, sophistication, and an unbeatable sense of style.
Photo courtesy of Ruby Velle & The Soulphonics Facebook page
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Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Readers Pick
Best Local Record Label BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Critics Pick
Best Local Record Label BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Readers Pick
Best Local Residency BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Critics Pick
Best Local Residency BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Readers Pick
Best Local Rock Act BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Critics Pick
Best Local Rock Hangout BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Critics Pick
Best Local Rock Hangout BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Readers Pick
Best Local Roots/Folk Band/Artist BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Critics Pick
Best Local Roots/Folk Band/Artist BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Readers Pick
Best Local Single BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Critics Pick
Best Local Song BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Critics Pick
Best Local Song BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Readers Pick
Best Local Songwriter BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Critics Pick
Best Local Songwriter BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Readers Pick
Best Local Vocalist BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Critics Pick
Best Local Vocalist BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Readers Pick
Best Metal Underdog BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Critics Pick
Best Monthly Club Night BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Critics Pick
Best Music Festival BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Critics Pick
Best Music Festival BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Readers Pick
Best Music Kingpin BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Critics Pick
Best Musician New to Atlanta BOA Award Winner
Section » Print Features » Special Issue » Best of Atlanta » 2018 » After Dark » Critics Pick